Find Your Vendors

Mja

In the vibrant Turin of the 1980s — a city alive with culture, elegance, and the unstoppable heartbeat of FIAT — style flowed naturally beneath its endless arcades. Every Sunday, the city held its breath between the passion of Torino and the might of Juventus, while its cafés and ateliers echoed with conversations about art, design, and fashion. Connected to Paris through a long-standing creative dialogue, Turin stood as one of Italy’s most refined crossroads of ideas and inspiration. It was within this world of beauty and momentum that Daniela grew, learned, and shaped her sensibility for fine jewelry. Quick to absorb the sophisticated rhythm of the city, she soon became the head of purchasing for a renowned chain of jewelry stores — a role that opened the doors to Italy’s most prestigious high-jewelry maisons. Those years refined her eye for excellence: she learned to read the craftsmanship behind a piece, to sense its story, and to select jewels that embody true Italian artistry. After many seasons lived at an intense urban pace, life revealed a new horizon: Alassio. A jewel of the Ligurian coast, a beloved winter refuge and a summer icon known across Europe for its golden shoreline stretching softly from Capo Santa Croce to Capo Mele. A city born from the legendary love of Adelasia, overlooking the sea and just steps from the Côte d’Azur and Monte Carlo — a place where Italian craftsmanship is celebrated, lived, and deeply felt.

Tamara, Tre Sei

Tamara’s story begins in the quiet wonder of childhood, when her father sent her to study in Venice — a city where beauty seems to rise from the water itself. There, in the shade of old convent walls, her days unfolded between embroidered fabrics, beadwork, and small afternoon workshops. She watched, fascinated, as artisans from around the world shaped delicate metal threads into luminous creations. While other children played, Tamara stood still, eyes shining, absorbing every gesture as though it were a secret language meant only for her. Whenever she could, she tried to create something on her own — small experiments, tiny treasures made with the boldness of youth. As she grew, life invited her down different paths: she studied, became a secretary, mastered mechanical calculations, worked in offices, learned the rhythm of commerce. She loved music, evenings of laughter, the carefree sweetness of her age. But no matter how far she walked, art never stopped calling her by name. At just twenty, driven by instinct and passion, she opened her first shop. Then motherhood arrived — twice — with all its wonder and all its demands. She closed the store, knowing some dreams must rest so others can grow. For a while, she stepped back, devoting herself entirely to her children. But life tested her with a far darker chapter: her husband’s illness left her alone with two little ones and the weight of uncertainty. In that fragile moment, when many would feel lost, Tamara returned to the place where her strength had always lived — her hands.

Daciarte

They know it and they say so. In their previous lives, several Zen masters were cats. It is also known that many others have followed the path in reverse. After taking on human form, they had the opportunity to return to being felines. If they had gained a particular experience during their time as humans, this special activity apparently does not disappear, not entirely: something still remains in their life cycle. This form of reminiscence is also well known. On Via San Biagio there is a truly popular feline. At night, he often sleeps in the shop window, among the majolica tiles decorated by Dacia, a reserved craftswoman, as silent as, if not more so than, those who assist her during her daily work. The symbiosis is perfect. Many people photograph the majolica cat. He is now aware of his strong appeal and almost seems to pose, but with great detachment from the curious glances that usually surround him. His theatrical yawns and his snobbish grimaces are eloquent. Observing them secretly, you can see Dacia decorating under the watchful, supervisory eyes of her cat, Nina. She knows she’s being watched, but she seems content. Two flames follow every movement of her hand and its natural progression into rapid yet soft brushstrokes. Clear sensations; the fur-clad master seems to observe every gesture, precise, measured, a signal, a faint electric current no longer hidden between his claws. You have to see them. They’re creating together, almost holding their breath. A spectacle, unintended, but certainly a form of unique, silent, powerful dialogue.

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